Conductor and soloist don’t see eye to eye, Marcellus elegant of phrase and bewitchingly cultivated in sound at odds with Szell’s powerful profiling and famed rhythmic exactitude. To wit, the regular clarinet ends its compass on E below middle C; Stadler’s uniquely dropped four semitones further to C. On October 16, 1791, he premiered the work in Prague from the autograph manuscript, then went on tour, not returning to Vienna until July 1796. The work is considered Mozart’s finest wind concerto, and I’ll take it further and declare it the best wind concerto in the entire world of classical music. ‘Aren’t those basset notes wonderful?’ Lorenzo Coppola seems to be asking as he produces the deepest, fruitiest sounds imaginable. A 21st-century artist stays in the present but stretches the envelope. I really like Sabine Meyer's rendition, but I've read in another post that Robert Marcellus has an excellent one also. What now? Not successfully, though. [citation needed] The only relic of this concerto written in Mozart's hand is an excerpt of an earlier rendition of the concerto written for basset horn in G (K. 584b/621b). Here he is again, incorrigible as ever, wholeheartedly backed by consummately gifted clarinettist Wolfgang Meyer. Compare Kell with Draper – who curiously remade only the slow movement in 1931 (Clarinet Classics) – to hear how Kell’s tactfully applied vibrato ‘vocalises’ this Adagio in a way that Draper’s non-vibrato mode does not. A measure of stature is returned to the music by Ernst Ottensamer. *HQ Audio*, Bo Diddley and Ron Wood - Live At The Ritz (DVD), RED HOT CHILI PEPPERS: How Deep Is Your Love (Bee Gees Cover), ROBERT MILLIS: Indian Talking Machine (Limited 2CD+Book), ERIC BURDON: The irrepressible beast – interview, HMV VINYL: Phil Collins - No Jacket Required - Limited Edition Orange Vinyl. A true find. “If there is a bel canto school of clarinet playing, Shifrin is surely its finest exponent,” wrote the Los Angeles Times. Beethoven’s last piano concerto, the ‘Emperor’, can’t help but go first. | Bald fact: not all proponents of the modern clarinet believe in the basset. Stick to the traditional clarinet but not to the traditional arrangement? Why not register today and enjoy the following great benefits: This website uses cookies to improve your experience. Boyd contributes a continuously symbiotic framework for Di Càsola to build an interpretation where tone, dynamics, articulation and accents are varied to mirror a range of moods suggested by melody, phrase and harmony. Gramophone is part of The progression from bar 331 is no different and similar examples occur in the other movements too. But he cannot sustain the concerto on his own. None is extant. But such recreative distinction wasn’t to be expanded, let alone repeated. In 1973 Hans Deinzer made the first recording on a period basset copied for him in boxwood by Rudolf Tutz of Innsbruck. Significantly, Breitkopf & Härtel didn’t alter this. Could Mozart, who finished this concerto about eight weeks before he died, have been anything other than valedictory? Nor has the conductorless Collegium Aurem. Piano Concerto No. We also use third-party cookies that help us analyze and understand how you use this website. Martin Fröst does neither; and his interpretative acumen reaches the nub of the slow movement, in effect an operatic aria of tender pathos for a high and low voice communicated through a single instrument. Stadler, who played the clarinet and basset horn, had been a close friend of Mozart’s since the e… This is an excellent recording of Mozart's Clarinet Concerto and Clarinet Quintet. But opting out of some of these cookies may have an effect on your browsing experience. The last concerto, valedictory and visionary. The published version was clearly an adaptation; the additional four notes had been raised an octave or otherwise recast in ways to suit the conventional clarinet. The Flute Concerto is notable for the fact that Mozart did not like the flute as an instrument, famously stating 'whenever I have to write music for an instrument I dislike, I immediately lose interest'. Come the first tutti, he tautens the rhythm and prominently swaggering natural horns step in, stepping in prominently at every tutti where prescribed in the two Allegros, some more driven than others, some more swaggering and fiercely stressed than others. The performances are first rate and the recording is well done. Deinzer produces a slender tone, probably characteristic of both instrument and reed. As for Mozart symphonies, this is how I would rate the best recordings: Peter Schmidl was one who remained orthodox. Warmly recommended. Receive a weekly collection of news, features and reviews, James McCarthy Now, slip back two years to 1959, to Gervase de Peyer’s second recording. The other movements are less arresting, not as tight-knit as they might be. Yet in his letter from Vienna to Constanze in Baden, written at midnight on October 7, 1791, he says, ‘I smoked a glorious pipe of tobacco. Haydn Draper made the first recording in 1929 (Brunswick 20076‑8), followed by Luigi Amodio and François Etienne. International licensing, Date / Artists / Record company (review date)), If you are a library, university or other organisation that would be interested in an institutional subscription to. Mozart: Clarinet Concerto. Here at a low ebb, he doesn’t galvanise soloist or orchestra into the highest flights of innovation. What are the finest recordings of Mozart&'s Clarinet Concerto? Yet he turns in a distinguished performance, of embellishments in excellent taste and nuanced responses to modulations, as between 9'29" and 9'51" in the first movement when the key advances through A minor, C major, E minor and D minor. I was looking all throughout Spotify and iTunes to find the best possible recording of this serenade, but i've found a lot of different results, and i'm finding it … Fabio di Casola (clarinet), Daniele Galaverna (bassoon), Kenneth Henderson (horn), Silvia … All | CDs | DVDs: Mozart: Clarinet Concerto in A Major, K.622 (3rd movement) Could Mozart, who finished this concerto about eight weeks before he died, have been anything other than valedictory? Still and all, Mozart lovers will find both a bargain and a gold mine upon acquiring this disc. Modern bassets initially used in the UK were normal instruments, their lower joints replaced with specially built extensions. MA Music, Leisure and Travel Its one of my "desert island" CDs that I could not live without. Readers used to the sleekly disciplined Karajan of maturity – as demonstrated on his 1971 recording with Karl Leister, the BPO’s then principal clarinet – might be taken aback by his 1949 persona that offers Leopold Wlach an animatedly thrusting but accommodating partnership to which he responds with alacrity. In strides Nikolaus Harnoncourt, robust thinker and undaunted subjectivist, flying the flag for a late-18th-century theory on interpretation. The autograph subsequently vanished; and Stadler died in 1812, leaving questions unanswered. In 1791, the last year of his life, Mozart wrote the Clarinet Concerto. Brymer’s tribute to his colleague says it all: ‘His freedom of expression, perfect intonation and control, easy rubato and use of a vocalised vibrato much in the [Leon] Goossens manner, marked him out as something new in the instrumental world.’ Vibrato in a woodwind instrument was indeed new to many in the first half of the 20th century; and these two musicians split opinion at the time. Well, consider as an example bars 187 to 191 in the first movement. You also have the option to opt-out of these cookies. The best recordings of Mozart’s Clarinet Concerto James McCarthy Friday, January 17, 2014 Register now to continue reading Thank you for visiting Gramophone and making use of our archive of more than 50,000 expert reviews, features, awards and blog articles. Then I orchestrated almost the entire Rondo of the Stadler concerto.’ No premonitions of death here. Now, here’s a real bargain–some of the greatest recordings of much of Mozart’s best music at the Double Decca two-for-one price. Is there a choice? Meyer's interpretation of the Clarinet Concerto has ripened since this 1992 recording, and some listeners might prefer her more playful and overtly dramatic remake with Claudio Abbado and the Berlin Philharmonic. You won't be disappointed with this CD, if it's still available. Mozart now talks tough, the genteel image drops away. There you have it; superlative clarinet-playing, superlative conducting and a penetrating look beyond the notes. Tighter direction from Gottfried von der Goltz might have neutralised reservations but, as matters stand, Coppola doesn’t delve. With 27 to his name, it's a bit tricky to isolate one piano concerto … Benny Goodman also threw his hat into the ring in 1940. Brymer’s command is absolute, the mood calmingly resigned if rather imperturbable in his unruffled stream of notes. Take a musical deep dive into Mozart. The recording of the Clarinet Concerto that Robert Newman mentions is on "Mozart Wind Concertos" Berlin Philharmonic/ HVK : EMI Studio. Wolfgang Meyer; Concentus Musicus Wien / Nikolaus Harnoncourt. … Instead the layout of the whole sequence, from bar 331, dictates that they ought to be played an octave lower. Toscanini offered a post, Furtwängler thought him the only clarinettist who played from the heart. Piano Concerto No. Let’s just savour the Adagio once more. Haven’t we experienced this approach before? It’s strikingly dissimilar, a pale reflection of the non-conformist who had once brought colour and drama to his interpretation. And no one, in this survey of selected recordings, evokes the impression better than Jack Brymer with the Royal Philharmonic Orchestra attentively conducted by Thomas Beecham. Valedictory or visionary? It’s a magical close to a movement that might be Mozart’s poignant farewell to Anna Maria, his baby daughter, who had died not that long ago. VINTAGE: Who made the best vintage audio? But what about inner anxieties, passing twinges of dis‑ease, the dives into depression? You’ll notice that the cover shows Shifrin with two clarinets. If, however, in her quest for depth of understanding King is sometimes a mite constrained, her recording is nevertheless a pivotal point in the concerto’s interpretation. Sony: 88697646722. Orchestra winds are a trifle distant; modern valve horns grey the texture as well. In one respect, though, Brymer intrigues. RADFORD: Quad II vs Leak 20 vs Radford STA 25 vintage equipment, PERCY GRAINGER: The ninth best composer ever. Is there a choice? Hoeprich nevertheless stays above water, thoughtful in his survey of the music, especially so in the Adagio. This website uses cookies to improve your experience while you navigate through the website. Though his dynamic gradations are limited, he has a cogent understanding of structure and shape, and a good feeling for content too. Find recording details and track inforamtion for Clarinet Concerto in A major, K. - Wolfgang Amadeus Mozart on AllMusic No chance. Showing 91 - 100 of 204 results This recording offers something more than its lyrical performances and superb recorded sound. He alters the solo part to mitigate the effects of some of its clumsy compromises and his solutions are about as good as they get in the circumstances. Boxwood. And a wind of change, prescient of an emotional dimension in the music not entirely noticed before, blows in to break the outdated anodyne mould. In essence Anton Stadler, for whom the work was composed, owned a custom-built instrument with an extended range. Antony had worked with Robert Bailey and an earlier incarnation of the Michaelangelo [sic] orchestra for a 1998 recording of the Mozart Clarinet Concerto, released as a CD on the Musical Fidelity label (MF018). Marvelous recording. 9 in E flat Major – K. 271. Only Goodman’s misguided zeal casts a shadow. Any cookies that may not be particularly necessary for the website to function and is used specifically to collect user personal data via analytics, ads, other embedded contents are termed as non-necessary cookies. The best recordings of Mozart's Clarinet Concerto. Then I orchestrated almost the entire Rondo of the Stadler concerto.’ No premonitions of death here. Twelve years later Antony Pay offers a considered proposition. Talich isn’t as lucky. EMI CDM 567 6012 . Building a Library on Mozart's final purely instrumental work, his Clarinet Concerto - written for his friend Anton Stadler. Goodman, instinctively mercurial in jazz, is scared of Mozart. 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Be an equitably shared journey, which this one is not confirmed the conversion.. Wrote the Concerto, since it incorporates some of the non-conformist who had once brought colour and drama to interpretation., since it incorporates some of these cookies was composed, owned a custom-built instrument with an extended.! Berliner Solisten quartet with Karl Leister playing the Clarinet Concerto bar 331, dictates that they to. She reversed a trend, taking the Concerto, K622 revive the vogue in 2004 highly. Mercurial in jazz, is No historic fossil October 1791 Mozart: Clarinet Concerto and Clarinet Concerto - written his.

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