Want to see what's on deck? In the piece, Gurba argues—among other things—that “American Dirt” essentially amounts to “trauma porn that wears a social justice fig leaf” and reduces Mexicans to shallow tropes. Looks like your browser doesn't support JavaScript. American Dirt by Jeanine Cummins. So let me set the record straight: No Mexican family would have a mere 16 people at a quinceañera, and no Mexican family would be listening to the radio at a quinceañera. Cummins explains in the author’s note that she wants to help readers see immigrants as fellow human beings, rather than as an “invading mob of resource-draining criminals” or “a faceless brown mass” — but she takes us on a journey that not only perpetuates those very stereotypes so often found in fiction (and Donald Trump’s speeches) but also portrays immigrants as helpless people carrying baggage full of pain and problems. She has told The Associated Press she spent extensive time in Mexico and met with many people on both sides of the border. Jeanine Cummins' American Dirt is a novel about a Mexican bookseller who has to escape cartel-related violence with her son, fleeing to the US. American Dirt has been called “determinedly apolitical,” precisely because of these decisions to gloss over the political forces behind the circumstances of its characters. Jeanine Cummins’ American Dirt is not what I was hoping for. Quinceañeras have a special place in my heart, because I always dreamed of having one in my hometown of Taxco, Guerrero, just four hours north of Acapulco. The Problem With American Dirt Is Not Its Author’s Background I couldn’t care less if Jeanine Cummins is white, but her book is a failure. The novel is filled with these types of characters. And that is one of the many problems with American Dirt, according to several critics. But the reality is that for many immigrants, the journey starts anew when we set foot in the US. A new novel about migration to the US stirred controversy as soon as it hit bookshelves this week. Problem 1: The Author. Many people felt that Cummins, who identifies as white and Latina, furthered harmful stereotypes about migrants from Mexico and Central America, that her novel included several cultural inaccuracies, and that the marketing campaign surrounding her … Let me be clear: because American Dirt contains multiple inaccuracies and distortions, the White US readership in particular will come away with a stylized understanding of the issues from a melodramatic bit of literary pulp that frankly appears to have been drafted with their tastes in mind (rather than the authentic voices of Mexicanas and Chicanas). “American Dirt” has been recognized for its telling a unique and wild story of two undocumented immigrants. After being kidnapped by Mexican immigration officials, Lydia and Luca earn their freedom by paying their own ransom, but they are told by “el comandante” that they should not care about the other immigrants because “most of these are bad guys anyway.” Echoing Trump, he continues: “They’re gang members, they’re running drugs. When the “sicarios” have emptied their clips and the “gunfire slows,” Luca can hear “a woman’s voice announcing ¡La Mejor 100.1 FM Acapulco!”. Gurba and many others who joined the conversation are calling for a transformation of the book publishing industry. Ao continuar com a navegação em nosso site, você aceita o uso de cookies. “What we really need to be talking about are Mexico’s migration policies, and how the Trump administration has influenced them.”. By continuing to use our site, you accept our use of cookies and Privacy Policy. Sign up for our daily newsletter TOP OF THE WORLD and get the big stories we’re tracking delivered to your inbox every weekday morning. Instead the book takes its fictional protagonist, Lydia Quixano Pérez, on a perfectly crafted obstacle course with a neat ending that is rarely, if ever, the one real migrants encounter. ICE Acting Director Matthew Albence has confirmed that if the DACA programs ends, DREAMers can be deported. Her goal, she said, was to humanize migrants by presenting their stories in an intimate way. Julissa Arce is an activist and author of My (Underground) American Dream and Someone Like Me. “Yeah, all the migrants wear the same uniforms, right?” a Mexican child named Beto tells Luca during their journey. Luca goes to school; Lydia cleans houses — because of course she does. DACA recipients still await their fate in this country as the Supreme Court argues. They’re thieves or rapists or murderers.” The narrator doesn’t comment on the racism or inaccuracy of these words. Deciding to be silent on matters of policy is in itself a political stance. The book affords its readers a safe distance between real immigrants and the caricatures presented in the book. In the author’s note, Cummins says she wrote this book in part because “the conversation [surrounding immigration] always seemed to turn around policy issues, to the absolute exclusion of moral or humanitarian concerns”— but we cannot divorce the political from the human condition of immigrants. "American Dirt," a novel that is Oprah Winfrey's latest book club pick, has sparked a bitter controversy over its author's identity and portrayal of Mexican migrants. Cummins earned a seven-figure deal with Flatiron Books for the novel, according to Publisher’s Weekly, and the novel has been promoted by Oprah Winfrey’s book club — an endorsement that has sent many books to bestseller lists. Para saber mais sobre nossa política de cookies, acesse link. Most of my pain as an immigrant came long after I entered the United States. On the back cover of Cummins’ book, publisher Flatiron Books’ blurb promises, “American Dirt will leave readers utterly changed.” But when readers are presented with characters that poorly reflect the real lives of people who are affected not just by the dangers, economic conditions, and violence they are fleeing, but also the inhumane, anti-immigrant laws they encounter once they cross the border, how can they truly be transformed? (L) The cover of "American Dirt" and (R) author Jeanine Cummins. Cummins wants her readers to see immigrants as “regular people,” as “fellow human beings,” and to do this, she created a middle-class mother who somehow speaks near-perfect English without ever having visited an English-speaking country. No, the freedom I now feel didn’t come from stepping foot into the US. That perspective feeds into many Americans’ fears that immigrants want to come to the US to have “anchor babies.” Never mind that in real life, the Trump administration will instruct consular officers to deny visas to pregnant travelers. Contrary to what Kathleen Parker says (column, “Write for your race, culture,” Feb. 5), the issue with the book “American Dirt” isn’t writing about a culture not one’s own. While the book continues to sell, and we continue to have these discussions, let us not forget that the government still can't confirm if more families were separated than reported and if they have been reunited. “It’s a collection of gross stereotypes intended to be consumed by a white audience with a sweet tooth for Mexican pain,” Gurba told The World. American Dirt is not the book I dreamed of, but the stereotypical Latinx story in its pages certainly sells. Her third novel, American Dirt, secured a seven-figure advance, an Oprah Book Club pick and a huge publicity campaign (waste of money; last week the Guardian alone gave the book a scale of promotion that its publisher Flatiron Books could never afford, although the paper’s worthies are sure testing that maxim about no publicity being bad). For our talent to be recognized and our stories to be honored — for our lived experiences to create a better reality for our community. Cummins writes in her author’s note that she wishes “someone slightly browner” had written this book. She creates a plot that seems impossible to someone like me — a Mexican immigrant who, like Lydia, lived a middle-class life in Mexico and whose family has suffered at the hands of cartel-related violence. Sure, we celebrate birthdays with cookouts and playlists; we don’t have a mariachi or banda at every pachanga — but this was a quinceañera! The phrase Cummins should have used is “cobro de piso,” which is like a tax for avoiding crime; a mordida is more like a bribe, something you’d pay an official who won’t give you a desperately needed birth certificate. American Dirt, published on Jan. 21, chronicles the journey of a Mexican woman and her son who flee to the United States together as undocumented immigrants. In a viral review for the literary blog Tropics of Meta, writer Myriam Gurba argues “American Dirt” is a tourist’s version of what Mexico might look like, and is symptomatic of the lack of diversity in America’s book publishing industry. “American Dirt,” a fictional story, was published to immediate acclaim and hailed as a present-day “Grapes of Wrath.”. “Your baby will be a US citizen,” Lydia tells Soledad, a Honduran migrant whose beauty is described as “an accident of biology” and who has become pregnant after being raped. By León Krauze. As a formerly undocumented Mexican immigrant, I’ve longed for more books telling our stories to be published and celebrated. Then Latinos called it out as a stereotype-riddled act of appropriation. The protagonist of the book is Lydia, a Mexican mother fleeing with her son, Luca, from drug cartel hitmen in the city of Acapulco. A mordida is what Lydia should have paid to get the document she needed to board a plane with her son — but she is not resourceful in the way real immigrants are, and instead she boards the very dangerous “La Bestia” train instead. Much has been said about the cultural inaccuracies of the text, the cartoonish use of Spanish, and even the low quality of the writing. Cummins confided in the book’s afterword that she didn’t know if she was the right person to write the book. But even before Cummins’ novel hit book stores, some writers of Latin American background pointed to inconsistencies and inaccuracies in its portrayal of modern-day Mexico and the harsh realities thousands of migrants face. SUBSCRIBE NOW $1 for 3 months. Jeanine Cummins’ novel American Dirt — or “The Grapes of Wrath for our times,” according to author Don Winslow — is neither the dream I had hoped for nor the vehicle that is going to create the type of change our community deserves. Become a BuzzFeed News member. Not all of these errors are unforgivable; perhaps we can look past the good Mexican Samaritan who tells Lydia the border “has to be ten, fifteen miles from here,” as she looks for a migrant shelter while making her way to “el norte” — even though anyone in Mexico would give the distance in kilometers. Or rapists or murderers. ” the narrator doesn ’ t know if she was the right person to write book! 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