Koyaanisqatsi combines striking visuals and a brilliant score to produce a viewing experience that manages to be formally daring as well as purely entertaining. The sequence begins to come full circle as the manufacture of cars in an assembly-line factory is shown. "Koyaanisqatsi (1983) | The Criterion Collection", "Koyaanisqatsi – Life Out of Balance (1982)", Gymnázium a Hudební škola hlavního města Prahy, Twentieth Century Women (2016)-Walter's World, Review: Mike Mills' "20th Century Women" on Notebook|MUBI, "What Songs Appear on the 'Watchmen' Movie Soundtrack? The visual tone poem contains neither dialogue nor a vocalized narration: its tone is set by the juxtaposition of images and music. Toch een van mijn favoriete films. A grey paper backdrop was displayed in Times Square, and Fricke stood 10 feet (3 m) back with the camera. A collection of expertly photographed scenes of human life and religion. Glass's music for the film is a highly recognizable example of the minimalist school of composition, which is characterized by heavily repeated figures, simple structures, and a tonal (although not in the traditional common practice sense of the word) harmonic language. Reggio explained the lack of dialogue by stating "it's not for lack of love of the language that these films have no words. Read full review A surreal biopic of Armenian poet Sayat Nova, depicted through non-narrative amalgamations of images, hailed as revolutionary by Mikhail Vartanov. A 1991 issue of Variety listed Koyaanisqatsi's box-office gross at $3.2 million.[2]. Takes us to locations all around the US and shows us the heavy toll that modern technology is having on humans and the earth. Man's continued involvement in the environment is depicted through images of mining operations, oil fields, the Navajo Generating Station, the Glen Canyon Dam, and atomic bomb detonations in a desert. The release was available to those who made a donation of at least $180 to IRE, and was distributed in a sleeve that was signed by Reggio. Don't try to convince others to 'get it' as they won't.The best thing to do is to turn off all of the lights, pump up the sound and absorb yourself in the spectacle that unfolds on the screen. Far out. [40], Metro-Goldwyn-Mayer (MGM) eventually received the rights to the film, and Koyaanisqatsi was released on DVD by MGM Home Entertainment on September 18, 2002, coinciding with the release of Naqoyqatsi (2002). 24.4m members. [15] After quitting his waiting job, Fricke traveled with a camera crew to the Four Corners, which was chosen for filming for its "alien look". It was released in Los Angeles a month later where it grossed $300,000 at two theaters within 15 weeks. Related Documentaries. Fricke traveled back to New York City in 1977, during which the New York City blackout occurred. Even though the amount of music in the film was almost as long as the film itself, the soundtrack release was only 46 minutes long and featured only samples of the film's pieces. Environment, Society / 7 Comments The amazing documentary film contains several cinematic sequences accompanied by recurring musical themes. A shot of hot dogs being sent down rows of conveyors is followed by a shot of people moving up escalators. In a corrupt, greed-fueled world, a powerful alchemist leads a messianic character and seven materialistic figures to the Holy Mountain, where they hope to achieve enlightenment. [41] Unlike the IRE release, which featured the film in the open matte format in which it was filmed, the MGM release was cropped into a widescreen aspect as it originally was presented in theaters. [8] In 2000, the film was selected for preservation in the United States National Film Registry by the Library of Congress for being "culturally, aesthetically, or historically significant".[9]. Read full review So it's not the effect of, it's that everything exists within [technology]. Koyaanisqatsi. "[11] To produce the television commercials the IRE hired cinematographer Ron Fricke, who worked on the project for two years. In mid-October, Koyaanisqatsi was released onto 40 to 50 screens throughout the country. Get a sneak peek of the new version of this page. [10] Over thirty billboards were used for the campaign, and one design featured a close-up of the human eye, which Reggio described as a "horrifying image. A man travels around a city with a camera slung over his shoulder, documenting urban life with dazzling invention. Koyaanisqatsi: Life Out of Balance (Koyaanisqatsi: Dengesiz Hayat) - Trailer [HD] Godfrey Reggio, Ron Fricke, Michael Hoenig, Lou Dobbs, Ted Koppel The film then shows clips from various television shows being channel surfed in fast motion. Koyaanisqatsi was originally released on VHS and laserdisc by Michael Nesmith's Pacific Arts Video. To compensate for the lens size, a 2× extender was added, which turned it into a full 35 mm zoom lens, allowing footage to be clearly captured onto 35 mm film. Technology has become as ubiquitous as the air we breathe ..."[3], According to Hopi Dictionary: Hopìikwa Lavàytutuveni, the Hopi word koyaanisqatsi (Hopi pronunciation: [kojɑːnisˈkɑtsi])[29] is defined as "life of moral corruption and turmoil" or "life out of balance". It will still keep you glued to your seat and show you an insightful new perspective on the world as it is today (and as it was when the movie was filmed). (1982). Koyaanisqatsi: Life Out Of Balance. The release features 5.1 surround sound audio and a restored digital transfer of the film in 1.85:1 aspect ratio, approved by director Godfrey Reggio. The first aerial footage was too "shaky", so additional footage was taken from a camera mounted onto the airplane. A collection of expertly photographed phenomena with no conventional plot. [22] Coppola told Reggio that he was waiting for a film such as Koyaanisqatsi and that it was "important for people to see", so he added his name into the credits and helped present and distribute the film. A collection of expertly photographed phenomena with no conventional plot. [17], In addition to footage shot by Fricke, some of the footage of people and traffic in New York City was shot by cinematographer Hilary Harris. [44] In December 2012, Criterion released a remastered DVD and Blu-ray of Koyaanisqatsi, as part of a box set containing the Qatsi Trilogy. Koyaanisqatsi and Its Complex Legacy-Brows Held High by KyleKallgrenBHH on YouTube, "INTERVIEW: Lone Giant: Godfrey Reggio's 'Naqoyqatsi, "The Past Comes to Life in Horseshoe Canyon", "Complete Original Soundtrack (Orange Mountain Music) OMM 0058". ", "Near the day of Purification, there will be cobwebs spun back and forth in the sky. The man-made world is much less appealing. A woman returning home falls asleep and has vivid dreams that may or may not be happening in reality. [10] Godfrey described the two-year campaign as "extraordinarily successful," and as a result, Ritalin (methylphenidate) was eliminated as a behavior-modifying drug in many New Mexico school districts. Instead of making public service announcements, which Reggio felt "had no visibility," advertising spots were purchased for television, radio, newspapers, and billboards. With Edward Asner, Pat Benatar, Jerry Brown, Johnny Carson. Try watching it with your cynical or populist friends and they'll pour scorn upon it. ", "A container of ashes might one day be thrown from the sky, which could burn the land and boil the oceans. [12], Fricke and Reggio chose to shoot unscripted footage and edit it into an hour-long film. Koyaanisqatsi. Door deze film ben ik naar de muziek van Glass gaan luisteren en voor mij is dat al tig jaar het summum op muziekgebied. More shots of highway traffic are shown, this time in daylight. The unedited footage was screened in Santa Fe, New Mexico, but Fricke said it was "boring as hell" and there were "not that many good shots". In 2010 mocht ik de film eindelijk een keer met live muziek van Philip Glass erbij zien. Koyaanisqatsi (Original Motion Picture Score). By the time it's finished, you'll feel like you've been on an exhausting and exhilarating journey that you'll want to take again not long afterwards. The film's cinematographer Ron Fricke went on to direct Baraka, a pure cinema movie that is often compared to Koyaanisqatsi. He also said that "these films have never been about the effect of technology, of industry on people. The visual tone poem contains neither dialogue nor a vocalized narration: its tone is set by the juxtaposition of images and the exceptional music by Philip Glass. [39] The first film in a trilogy which was followed by Powaqatsi. Keep track of everything you watch; tell your friends. Editing suggests that there is only one rocket, while in fact two different events were used: The first batch of footage shows a Saturn V lifting off (Apollo 11), followed by footage of the May 1962 explosion of the first Atlas-Centaur. A wordless survey on the significant changes occuring over the natural environment of the Northern Hemisphere. Upon viewing the footage, Reggio decided to devote an entire section of the film to portraits. [47] Czech pedagogue Rudolf Adler, in his textbook for film educators, describes Koyaanisqatsi as "formulated with absolute precision and congenial expression."[48]:60. The film's introduction to human involvement in the environment is a low aerial shot of choppy water, cutting to a similar shot of rows of cultivated flowers. The music builds in speed and dynamics throughout the piece's 21 minutes. Koyaanisqatsi is followed by the sequels Powaqqatsi and Naqoyqatsi and the shorts Anima Mundi and Evidence. This first work of The Qatsi Trilogy wordlessly surveys the rapidly changing environments of the Northern Hemisphere, in an astonishing collage created by the director, cinematographer Ron Fricke, and composer Philip Glass. [38] The producers spent $6,500 on marketing the initial release, which grossed $46,000 throughout its one-week run, and was the highest-grossing film in the San Francisco Bay Area that week. [17] The time-lapse shot overlooking the freeway in Los Angeles was filmed from the top of a building through a double exposure, with ten-second delay between frames. [15], The IRE was continuously receiving funding and wanted to continue the project in 1976, using 35 mm film. Carefully picked scenes of nature and civilization are viewed at high speed using time-lapse cinematography in an effort to demonstrate the history of various regions. Powered by Reelgood. It was later issued on CD in the same, edited format. The two-week shoot included aerial footage taken from an airplane using a hand-held camera and ground footage taken using a tripod. Price, Belle Carpenter, Cybelle Carpenter, Langdon Winner, and Barbara Pecarich. It's not that we use technology, we live technology. The rights to Koyaanisqatsi were passed through various multinational entertainment companies, which eventually prevented a home video release. [20], While Reggio was working on post-production at the Samuel Goldwyn Studio in 1981,[21] he met film director Francis Ford Coppola through an associate from Zoetrope Studios, Coppola's production company. [15] While filming in New York City, Fricke developed an idea to shoot portraits of people. Various shots of people are seen from all walks of modern life, from beggars to debutantes. The camera follows a flaming rocket engine and a white vapor trail or smoke against a blue sky as the debris plummets toward the ground. Glass was one of the first composers to employ minimalism in film scoring, paving the way for many future composers of that style. [11] But after the campaign ended, the ACLU eventually withdrew its sponsorship, and the IRE unsuccessfully attempted to raise millions of dollars at a fundraiser in Washington, D.C. Koyaanisqatsi (English: / k oʊ ˌ j ɑː n ɪ s ˈ k ɑː t s iː /), also known as Koyaanisqatsi: Life Out of Balance, is a 1982 American experimental film produced and directed by Godfrey Reggio with music composed by Philip Glass and cinematography by Ron Fricke. [45], On Rotten Tomatoes, Koyaanisqatsi has an approval rating of 90% based on 20 reviews, with an average rating of 8.01/10. Written by You must be a registered user to use the IMDb rating plugin. It's because, from my point of view, our language is in a state of vast humiliation. Press question mark to learn the rest of the keyboard shortcuts. [19] Footage filmed by cinematographer Louis Schwartzberg was added into the cloud sequence, and additional stock footage was provided by MacGillivray Freeman Films. Takes us to locations all around the US and shows us the heavy toll that modern technology is having on humans and the earth. Triumph Films offered to distribute the film, but Reggio turned down the offer as he wanted to work with a smaller company so he could be more involved with the release. Directed by Godfrey Reggio. The first image in the film is of the Great Gallery pictograph in Horseshoe Canyon, in Canyonlands National Park, Utah. Koyaanisqatsi (1982) cast and crew credits, including actors, actresses, directors, writers and more. The next image is a close-up of a Saturn V rocket during its launch (Apollo 11). [17] Most time-lapse shots were filmed at a frame rate of 1½ frames per second. The first take was shot throughout the day for twelve hours, then the film was rewound and the same scene was shot at night for twenty minutes. It no longer describes the world in which we live. ENTER CITY, STATE OR ZIP CODE GO. People eat, play, shop and work at the same speed. Koyaanisqatsi. Koyaanisqatsi: Life out of Balance. Select theaters distributed a pamphlet that defined the title and the Hopi prophecies sung in the film, as well as a copy of the soundtrack from Island Records. I've found that the film works best on an emotional level so switch your brain off and just watch and listen. [17] Fandango FANALERT® Sign up for a ... Read Full Synopsis Cast + Crew Previous Cast Members More Cast Members. The television advertisements aired during prime-time programming and became so popular that viewers would call the television stations to learn when the next advertisement would be aired. [18] To keep the shot of the 747 within the frame, the camera was slowly moved by increasing the voltage to the gear motors. People walking by started posing for the camera, thinking it was a still camera, and several shots from the setup ended up in the film. The next sequence begins with shots of buildings and a shot of a sunset reflected in the glass of a skyscraper. Three Hopi prophecies sung by a choral ensemble during the latter part of the "Prophecies" movement are translated just prior to the end credits: During the end titles, the film gives Jacques Ellul, Ivan Illich, David Monongye, Guy Debord, and Leopold Kohr credit for inspiration. The film's initial limited release began in San Francisco at the Castro Theatre on April 27, 1983. As there was no formal script, Fricke shot whatever he felt would "look good on film". Through the use of speeded-up images, clouds climb the sides of mountains and speed across the sky, their shadows painting the landscape. An unconventional work in every way, Godfrey Reggio’s Koyaanisqatsi was nevertheless a sensation when it was released in 1983. ... Movies Browse Movies by Genre Top Box Office Showtimes & Tickets Showtimes & Tickets In Theaters Coming Soon Coming Soon Movie News India Movie Spotlight. From there, it progresses to footage of various natural phenomena such as waves and clouds. [30] The film also defines the word as "crazy life", "life in turmoil", "life disintegrating", and "a state of life that calls for another way of living".[32]. Look back at our favorite moments throughout the year, from award shows to up-close shots of celebrities. [7] However, because of copyright issues, the film was out of print for most of the 1990s. 90626-1; Vinyl LP). The campaign involved invasions of privacy and the use of technology to control behavior. The film concludes with another shot of desert rock art similar to the image at the beginning. The rerecording of the album featured two additional tracks from the film, as well as extended versions of previous tracks from the original album. The man-made world is much less appealing. [25], The complete original soundtrack recording was released on CD in 2009 on Glass's own label Orange Mountain Music. Documentary, Avant-Garde. It's been that everyone: politics, education, things of the financial structure, the nation state structure, language, the culture, religion, all of that exists within the host of technology. The sequence uses time-lapse photography of the activity of modern life. Fricke wanted the footage to "look normal" and not contain any "gimmicky" special effects. View production, box office, & company info. Each DVD includes a documentary with interviews by Reggio and Glass and trailers for the Qatsi trilogy. Following the atomic bomb detonations, the next sequence begins with a shot of sunbathers on a beach, then pans to the San Onofre Nuclear Generating Station in the background. The first shots are traffic patterns as seen from skyscrapers at night. The system was powered by a gel cell battery that lasted for twelve hours, which enabled Fricke to shoot without the use of a generator. Use the HTML below. Enter your location to see which movie theaters are playing Koyaanisqatsi near you. Personally, I view the film as the quintessential environmental movie … [30] The prefix koyaanis– means "corrupted" or "chaotic", and the word qatsi means "life" or "existence",[31] literally translating koyaanisqatsi as "chaotic life". 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