Adèle Haenel sighs, gives one of her imperious looks and asks: “Have you read Simone de Beauvoir?” Blimey. This isn’t the kind of chat you normally get at a film junket. may earn a portion of sales from products that are purchased through our site as part of our Affiliate Partnerships with retailers. In 2014, Haenel came out as a lesbian during her César award acceptance speech and acknowledged her relationship with director Céline Sciamma, whom she met on the set of Water Lilies. Céline Sciamma, who then begins a love relationship with Adèle Haenel, says that she herself "became fully aware of the seriousness of the facts" one evening it again. Adèle Haenel broke these two rules of heteropatriarchy: first, she spoke and she spoke publicly about the sexual abuse of which she was the subject. She tells stories of experiences through characters who best embody her ideals, and non-lesbians can and should enjoy her films just the same. A doctor gets obsessed with the case of a dead woman after learning that the woman had died shortly after having rung her door for help. Haenel identifies as a feminist. When they are with anyone else at all, it's other women: Heloise's mother; Sophie, a maid; and the local secret society of women who converge at a bonfire where Heloise's dress catches fire. She was raised bilingual (French/German). French actress Adèle Haenel declared 'lord of the lesbians' in viral video . CAN YOU TELL US A BIT ABOUT IT? This turned out to be the second film that I have seen by director Céline Sciamma, because I didn’t remember that I had seen the film Water Lillies.That was Sciamma’s first feature film as a director and screenwriter as well as her previous collaboration with Adèle Haenel. Sciamma is not a traditional filmmaker, and whether her subject identifies as queer or not doesn't take away the way that she, as a lesbian, experiences and makes sense of humanity. In 2014, Adèle Haenel publicly acknowledged that she was in a relationship with Sciamma in her acceptance speech for her César award. Votes: 91 Instead, they argue the female gaze is feeling seen in a way that the female subject can be empathized with — a heroine's journey like Andrea Arnold's Fish Tank or other female-directed coming-of-age films, a genre which is, coincidentally, Sciamma's favorite to explore. Trade Mark (5) [35] Following the experience, she considered abandoning acting altogether. The efficient Dr. Jenny Davin works hard and has been chosen to replace Dr. Habran, who has just retired, at the Kennedy Hospital. But it spoils nothing simply to say that most of her bad choices result from one critical mistake in life: falling for the "wrong" guy. It is a beautifully, expertfully crafted film. She tells stories of experiences through characters who best embody her ideals, and non-lesbians can and should enjoy her films just the same. Mardi Gras. The kind that inspires one to create something even a fraction as meaningful. Adèle Haenel (left) and Noémie Merlant in ‘Portrait of a Lady on Fire.’ (Photo courtesy Neon). I don't agree with that. Marianne is meant to paint Heloise's portrait for her betrothed husband's approval, but he is invisible for the time the two spend together. Portrait of a Lady on Fire saw Noémie Merlant star alongside lesbian actor Adèle Haenel as professional portraitist Marianne and her noble subject Héloïse respectively. “It changed my perspective,” she said in a long and emotional interview with the Mediapart news website. That kind of friends-with-your-ex relationship is a lesbian-specific dynamic that Sciamma brought up when I interviewed her for another publication around awards season in early 2020.